Lou Tellegen | |
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Lou Tellegen in 1916 |
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Born | Isidore Louis Bernard Edmon van Dommelen November 26, 1881 Sint-Oedenrode, Netherlands |
Died | October 29, 1934 Hollywood, Los Angeles, California, U.S. |
(aged 50)
Other names | Lou-Tellegen |
Occupation | Actor, director, screenwriter |
Years active | 1910 – 1934 |
Spouse | Countess Jeanne de Brockere (m. 1903–1905) Geraldine Farrar (m. 1916–1920) Nina Romano (m. 1923–1928) Eve Casanova (m. 1930–1932) |
Lou Tellegen (November 26, 1881 – October 29, 1934) was a Dutch-born silent film and stage actor, director and screenwriter. [1]
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Born Isidore Louis Bernard Edmon van Dommelen, he was the illegitimate child of army lieutenant Isidore Louis Bernard Edmon Tellegen (1836–1902) and Anna Maria van Dommelen.
He left his birth town Sint Oedenrode to make his stage debut in Amsterdam in 1903, and over the next few years built a reputation to the point where he was invited to perform in Paris, eventually co-starring in several roles with Sarah Bernhardt, with whom he was involved romantically. In 1910, he made his motion picture debut alongside Bernhardt in La dame aux camélias, a silent film made in France based on the play by Alexandre Dumas, fils.
In 1910, he and Bernhardt travelled to the United States, where The New York Times first published, and then retracted, the announcement of their impending marriage. (She was 37 years his senior.) Back in France, in 1912 they made their second film together, Les Amours de la reine Élisabeth (Queen Elizabeth), and the following year, Adrienne Lecouvreur. The latter is considered a lost film.
In the summer of 1913, Tellegen went to London where he produced and starred in the Oscar Wilde play, The Picture of Dorian Gray. Invited back to the United States, Tellegen worked in theatre and made his first American film in 1915, titled The Explorer, followed by The Unknown, both with Dorothy Davenport as his co-star. Considered one of the best-looking actors on screen, he followed up with three straight films starring opposite Geraldine Farrar. In 1916, he married Farrar, a well-known opera diva turned film actress, who was herself known to be the lover of Germany's Crown Prince Wilhelm of Germany.
Tellegen's marriage to Farrar did not last (they divorced in 1923). Tellegen had married a total of four times, the first being a countess in 1903 (this union produced a daughter), the second to Farrar in 1916. He became an American citizen in 1918.[2]
Tellegen had appeared in numerous films before his face was damaged in a fire. One of his memorable roles was as the bad guy villain in John Ford's 1926 western 3 Bad Men who wore a white hat instead of the stereotypical bad guy black hat. Fame faded, employment was not forthcoming and debt-ridden, he went bankrupt. He was diagnosed with cancer, though this information was kept from him, and he became despondent. In 1931, he wrote his autobiography Women Have Been Kind.
On October 29, 1934, while a guest in a Cudahy mansion at 1844 N. Vine St. (now the site of the Vine-Franklin underpass of the Hollywood Freeway), Tellegen locked himself in the bathroom, then shaved and powdered his face. Then while standing in front of a full-length mirror, he committed suicide by stabbing himself with a pair of sewing scissors seven times (supposedly while surrounded by newspaper clippings of his career), resulting in lurid press coverage.[3][4]
When asked to comment on Tellegen's death, former wife Geraldine Farrar replied, "Why should that interest me?". Tellegen's remains were cremated and scattered at sea.[4]
Year | Title | Role | Notes |
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1911 | La Dame aux camélias | Armand Duval | |
1912 | Les Amours de la reine Élisabeth | Robert Devereux, Earl of Essex | Alternative titles: Queen Elizabeth and La Reine Élisabeth |
1913 | Adrienne Lecouvreur | Alternative title: An Actress's Romance | |
1915 | The Explorer | Alec McKenzie | Credited as Lou-Tellegen |
1915 | The Unknown | Richard Farquhar | Extant, Library of Congress |
1916 | The Victory of Conscience | Louis, Count De Tavannes | |
1916 | The Victoria Cross | Major Ralph Seton | Extant, Library of Congress |
1917 | The Black Wolf | The Black Wolf | |
1917 | The Long Trail | Andre Dubois | |
1917 | What Money Can't Buy |
|
Director |
1918 | The Thing We Love |
|
Director |
1919 | The World and Its Woman | Prince Michael Orbeliana | Alternative title: The Golden Song |
1919 | Flame of the Desert | Sheik Essad | |
1920 | The Woman and the Puppet | Don Mateo | Extant |
1920 | Blind Youth |
|
Writer |
1924 | Let Not Man Put Asunder | Dick Lechmere | |
1924 | Between Friends | David Drene | |
1924 | Single Wives | Martin Prayle | |
1924 | The Breath of Scandal | Charles Hale | |
1924 | Those Who Judge | John Dawson | |
1924 | Greater Than Marriage | John Masters | |
1925 | The Redeeming Sin | Lupin | |
1925 | Fair Play | Bruce Elliot | Alternative title: The Danger Zone |
1925 | The Verdict | Victor Ronsard | |
1925 | Parisian Nights | Jean | |
1925 | After Business Hours | John King | |
1925 | The Sporting Chance | Darrell Thorton | |
1925 | Parisian Love | Pierre Marcel | Extant |
1925 | With This Ring | Rufus Van Buren | |
1925 | East Lynne | Sir Frncis Levisn | |
1925 | Borrowed Finery | Harlan | |
1926 | The Outsider | Anton Ragatzy | |
1926 | Siberia | Egor Kaplan | Extant |
1926 | The Silver Treasure | Sotillo, the Bandit | |
1926 | 3 Bad Men | Sheriff Layne Hunter | Extant |
1926 | Womanpower | The Broker | |
1927 | Stage Madness | Pieerre Doumier | |
1927 | The Princess from Hoboken | Prince Anton Balakrieff | |
1927 | The Little Firebrand | Harley Norcross | |
1927 | Married Alive | James Duxbury | |
1928 | No Other Woman |
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Director |
1930 | To oneiron tou glyptou | Writer, director Alternative title: Pygmalion kai Galateia |
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1931 | Enemies of the Law | Eddie Swan | |
1934 | Caravane | Uncredited | |
1935 | Together We Live | Bischofsky |